|
|
"Building
Your Perfect Website"
Digital Photo Pro magazine, March/April 2009
As a professional photographer you need to have a
professional-looking website. What used to be a difficult
process of design and coding can now be achieved simply, with
minimal effort and maximum effectiveness. |
|
|
"What's Your
Preference?"
Digital Darkroom Quarterly, Spring 2009
Learn what settings to use in Photoshop's Preferences dialog
box to help you optimally configure Photoshop. |
|
|
"Modes for
Blending"
Digital Darkroom Quarterly, Spring 2009
An in-depth look at blend modes in Photoshop and how to use
them to great effect in your photographic images. |
|
|
"Creating
a Dreamy Infrared Effect"
ProPhotoResource.com,
March 2009
Learn to create a simulated infrared effect in Photoshop. |
|
|
"Flat
to Impactful"
ProPhotoResource.com,
February 2009
A guided tour of taking an image that started off flat and
making it impactful to match the memories contained in the
image. |
|
|
"Getting Into CS4"
Digital Photo Pro magazine, February 2009
An overview of the most important new features in Photoshop
CS4 for photographers. |
|
|
"Sepia and Beyond"
ProPhotoResource.com, January 2009
Learn to use various techniques to apply a sepia tone effect
to your photographic images. |
|
|
"Photoshop CS4
Unveiled"
Digital Darkroom Quarterly, Winter 2009
A review of the new features of interest to photographers in
Photoshop CS4 and how to put them to use in your workflow. |
|
|
"Interfacing with
CS4"
Digital Darkroom Quarterly, Winter 2009
How to make the most of the new approach Adobe has taken
with the interface in Photoshop CS4. |
|
|
"Unsharp
Mask Unveiled"
NatureScapes.net, December 2008
An introduction to sharpening, the first in a
series of articles on the subject at NatureScapes.net. |
|
|
"Taking Aim"
Layers
Magazine, November/December 2008
Finding perfect photographic composition in your viewfinder. |
|
|
"Creating
a Dreamy Infrared Effect"
TakeGreatPictures.com, November 2008
Learn how to simulate the look of infrared to produce a
dreamy, ethereal interpretation of an image using Photoshop. |
|
|
"Adding
Mood to a Photograph"
Photoshop
Insider Blog, October 29, 2008
As a guest blogger on Scott Kelby's blog, Tim
Grey talks about how Photoshop makes it possible to add mood
to a photograph when the image you captured doesn't match the
experience of being in a wonderful place. |
|
|
"Navigating in
Photoshop"
Digital Darkroom Quarterly, Autumn 2008
A look at the often-neglected topic of how to maneuver
around your photos as you evaluate and optimize them in
Photoshop. |
|
|
"Going Online"
Digital Darkroom Quarterly, Autumn 2008
A guide to the best ways to prepare your images for online
display to help ensure the most accurate colors and best image
quality possible. |
|
|
"How Much is
Enough?"
Digital Photo Pro magazine, September/October 2008
Manufacturers have conditioned us to regard megapixels as
the most important specification in digital imaging. Pixel
count certainly plays a key role in photography, but we're
approaching a point of diminishing returns and potentially
reduced image quality as more pixels are packed onto a sensor. |
|
|
"Field
Downloading"
Digital Darkroom Quarterly, Summer 2008
A discussion of strategy, workflow considerations, and the
devices you can use to download your digital photos while in
the field. |
|
|
"What's In a
Name?"
Digital Darkroom Quarterly, Summer 2008
Learn why you should rename your images, when to rename
them, how to rename them, and strategies for creating a
renaming system. |
|
|
"Geotagging
Goes Mainstream"
Microsoft Pro
Photo Website, May 2008
An overview of the use of metadata to define the location a
photograph was taken, with a look at the Microsoft Pro Photo
Tools software for adding GPS data to your images and browsing
those images on a map. |
|
|
"Getting
Selective"
Digital Darkroom Quarterly, Spring 2008
A guide to creating the very best selections, which are
critical to performing targeted adjustments to your image.
Basic tools in Photoshop along with advanced techniques will
be covered. |
|
|
"Silence the
Noise"
Digital Darkroom Quarterly, Spring 2008
This article will show you how noise finds its way into your
digital captures, how to best avoid it in the first place,
and how to minimize it to the extent possible after the
capture. |
|
|
"Resolution
Demystified"
Digital Darkroom Quarterly, Winter 2008
A review of all aspects of resolution as it relates to
digital photography and imaging. |
|
|
"Dream Machine"
Digital Darkroom Quarterly, Winter 2008
A guide to computer hardware specifications for maximum
performance. |
|
|
"Artistic Edges"
Digital Darkroom Quarterly, Winter 2008
Learn how to apply creative edges to your images in
Photoshop |
|
|
"Microsoft
Recognizes Iconic Photographers"
Digital Photo Pro magazine, December 2007
An overview of the
Microsoft Icons of Imaging program. |
|
|
"In a Flash!"
Digital Photo Pro magazine, November 2007 (co-authored
with Renée Costantini)
Adobe Flash has quietly become a powerful
design medium for professional photographers. This article
provides an overview of Flash for photographers, the
benefits it provides, and how you can incorporate Flash
technology into your website. |
|
|
"Photo Filters
Gone Digital"
Digital Darkroom Quarterly, Autumn 2007
A look at how you can produce the effects of various filters
you would normally put in front of your lens through the use
of special techniques in Photoshop. |
|
|
"Bridging the Gap"
Digital Darkroom Quarterly, Autumn 2007
A look at how you can utilize the new features in Adobe
Bridge CS3 to review, manage, and locate your images. |
|
|
"The Upgrade Game"
Digital Photo Pro magazine, September/October 2007
Keeping your gear up to date is part of the
business of being a professional in the digital age. The
decision on when and how to upgrade comes down to
determining how to make the most of what you have. |
|
|
"Why Microsoft?"
Digital Photo Pro magazine, September/October 2007
A look at Microsoft's efforts in the
professional photography space. |
|
|
"Sync Settings with
Metadata"
Photoshop User Magazine, September 2007
Lightroom enables you to apply metadata dn keywords to your
images, create presets, then sync the settings with other
images. |
|
|
"Photoshop CS3 New
Features"
Digital Darkroom Quarterly, Summer 2007
Learn to put the latest features to use in optimizing your
images. |
|
|
"Lightroom
Workflow Overview"
Digital Darkroom Quarterly, Summer 2007
Leverage the power of Lightroom to maximize your workflow
efficiency. |
|
|
"Lightroom Versus
Photoshop"
Digital Darkroom Quarterly, Summer 2007
Do you need Lightroom? If so do you still need Photoshop? |
|
|
"Adobe Photoshop
Lightroom: Spinning Photos on the Web"
Layers Magazine, July/August 2007
Using Adobe Photoshop Lightroom to create web photo
galleries. |
|
|
"To the Point:
Getting Sharp with Unsharp Mask"
Photoshop User Magazine,
January/February 2007
A look at how to get the best results with Unsharp Mask. |
|
|
"Putting
Metadata to Work"
NatureScapes.net, November 2006
Learn to utilize metadata with your images. |
|
|
"The Digital
Darkroom"
Candid Gallery, Newsletter of the
Chicagoland Professional Photographers Association, June 2005
Featured questions from the Digital Darkroom Questions (DDQ)
e-mail service. |
|
|
"The Digital
Darkroom"
Candid Gallery, Newsletter of the
Chicagoland Professional Photographers Association, May 2005
Featured questions from the Digital Darkroom Questions (DDQ)
e-mail service. |
|
|
"Lighting the
Wedding"
American Photo Wedding and Portrait Guide
Learn to make everyone at the wedding look their best with
these tips on lighting. |
|
|
"The Digital
Darkroom"
Candid Gallery, Newsletter of the
Chicagoland Professional Photographers Association, April 2005
Featured questions from the Digital Darkroom Questions (DDQ)
e-mail service. |
|
|
"Portraits with
Personality"
Pop Quiz, Premier Issue
This article features thoughts on capturing the best (and
most unique) portraits from
professional photographers Joe Buissink, James Porto, and Rob
Van Petten. |
|
|
"The Digital
Darkroom"
Candid Gallery, Newsletter of the
Chicagoland Professional Photographers Association, March 2005
Featured questions from the Digital Darkroom Questions (DDQ)
e-mail service. |
|
|
"In the Shadows"
Digital Photo Pro magazine, January/February 2005
On a set or on location, the photographer is
in the spotlight, but in the digital age many pros find they
need a certain kind of assistant to work a new kind of
behind-the-scenes magic. |
|
|
"Phase One Capture One
Pro"
Digital Photo Pro magazine, January/February 2005
A look at how to process your RAW captures in
a workflow-friendly way using Phase One's conversion software. |
|
|
"Painting
with Light"
Pop Quiz, Premier Issue
In this premier issue of Pop Quiz, published in print
and on the Web, Tim Grey presents tips to help photographers
learn to make the most of light in their photography. The
article features thoughts on lighting in photography from
Nikon Legends Behind the Lens photographers Moose Peterson,
Steve McCurry, and Joe McNally. |
|
|
"Understanding
Unsharp Mask"
NatureScapes.net, December 2004
Learn to use Unsharp Mask to sharpen your digital images. |
|
|
"Color-Managed
Workflow" (co-authored with Jon Canfield)
Digital Photo Pro magazine, November/December 2004
A guide to creating a color-managed workflow
for digital photographers. |
|
|
"Digital Storage"
PC Photo
magazine, November 2004
Buyer's guide to storage for digital images. |
|
|
"Scanners"
PC Photo
magazine, November 2004
Buyer's guide to film scanners. |
|
|
"Color Correction"
PC Photo
magazine, October 2004
Techniques for correcting the color in your digital images. |
|
|
"Image Sharpening"
PC Photo
magazine, October 2004
Produce sharp photos from your digital files using these
simple techniques. |
|
|
"Looking Sharp!"
Outdoor Photographer
magazine, October 2004
Produce sharp photos from your digital files using these
simple techniques. |
|
|
"Monitor to Print"
The
Digital Image, 2004, Volume 4,
Number 3
An end-to-end color-managed workflow for photographers. |
|
|
"Understanding
Curves"
The
Digital Image, 2004, Volume 4,
Number 3
A guide to understanding the use of Curves in Photoshop for
tonal and color adjustments. |
|
|
"Pixel
Performance"
White Paper for
Microsoft, September 2004
Creating an optimized Windows XP digital imaging system.
Distributed at Photoshop World in Orlando, Florida, September
2004, available as
PDF download from Microsoft's website. |
|
|
"Multiple
Exposures"
TakeGreatPictures.com, September 2004
A Digital Form of the Film Technique |
|
|
"Is RAW the Pro
Format?" by Rob Sheppard
Outdoor Photographer
magazine, September 2004
Article by Rob Sheppard, editor of Outdoor Photographer
magazine, Includes quotes by Tim Grey related to the use of
JPEG versus RAW capture. |
|
|
"Balancing
Color"
TakeGreatPictures.com, August 2004
How to get the most vibrant images possible with accurate
color. |
|
|
"Digital Dust"
PC Photo
magazine, July/August 2004
Take basic steps to ensure a clean CCD for your digital SLR. |
|
|
"Optimizing
Contrast"
TakeGreatPictures.com, July 2004
A quick look at
optimizing contrast in your digital captures. |
|
|
"Turn Down That
Noise!"
Digital Photo Pro magazine, July/August 2004
Unlike film grain, increased noise in a
digital image seldom is a good thing. Controlling the noise in
your images starts at the moment of capture. This article
looks at the issues affecting noise in the imaging sensor. |
|
|
"How'd I Do
That?!"
The
Digital Image, 2004, Volume 4,
Number 2
A look at the benefits and use of the History Log feature in
Photoshop CS. |
|
|
"Mastering
Selections"
The
Digital Image, 2004, Volume 4,
Number 2
More information about creating masterful selections in
Photoshop than you ever knew you needed. |
|
|
"Removing
Red Eye"
TakeGreatPictures.com, June 2004
A quick look at removing red eye in your photos. |
|
|
"Be Sharp!"
Digital Photo Pro magazine, May/June 2004
Issues of sharpness and sharpening continue
to confuse photographers. Understanding the concept as it
relates to digital will help you to make the best sharpening
decisions for your images. |
|
|
"Do You Need a
Full-Frame D-SLR?"
Digital Photo Pro magazine, May/June 2004
Digital SLRs employ a variety of sensors from
model to model. Consider the differences before deciding which
camera is right for you. |
|
|
"Solutions: Color
Management Short Course"
Outdoor Photographer
magazine, April 2004
Achieve a color-managed digital workflow. |
|
|
"Evaluation in the
Field"
Digital Photo Pro magazine, March/April 2004
Using the histogram and metadata to improve
your images. |
|
|
"Focal Length
Multiplier"
The
Digital Image, 2004, Volume 4,
Number 1
A look at the issues involved with sensors that are smaller
than the film they replace. |
|
|
"Blur Like a Lens"
The
Digital Image, 2004, Volume 4,
Number 1
An in-depth look at the new Lens Blur filter in Photoshop
CS. |
|
|
"Power of
Saturation"
The
Digital Image, 2004, Volume 4,
Number 1
Make the most of the Hue/Saturation adjustment in Photoshop
with a look at all the possibilities. |
|
|
"Establishing a
RAW Workflow"
Digital Photo Pro magazine, January/February 2004
Learn how to handle your RAW captures for the
best results. |
|
|
"Recover Lost
Images"
PC Photo
magazine, December 2003
How to avoid losing images on your digital film cards, and
recover them when they are lost. |
|
|
"Histogram
Demystified"
The
Digital Image, 2003, Volume 3,
Number 4
Understand the histogram to ensure the best digital
exposures and perfect digital optimization. |
|
|
"Targeted Output"
The
Digital Image, 2003, Volume 3,
Number 4
Maximizing the tonal range of your photo inkjet printer. |
|
|
"Image File
Management"
Digital Photo Pro magazine, November/December 2003
Keep your digital image files organized. |
|
|
"Mass Storage"
PC Photo
magazine, November 2003
Buyer's guide to the hardware you need for mass storage of
digital images. |
|
|
"Film Scanners"
PC Photo
magazine, November 2003
Buyer's guide to dedicated film scanners. |
|
|
"Boost the Pixels
on Your Plate"
Digital Photo Pro magazine, September/October 2003
Getting bigger prints from your digital
images. |
|
|
"Pro Report:
PrintFIX"
PEI Magazine, September/October 2003
Review of this package for creating
printer profiles. |
|
|
"Color Target:
Balancing Act"
Digital Capture magazine, September/October 2003
An exploration of some quick fixes to getting
the color just right. |
|
|
"Interview with
Tim Grey"
FinePrint newsletter, Fall 2003
An interview with Tim Grey about his
Digital Darkroom Questions e-mail list and more. |
|
|
"(Photoshop) Eight
is Great"
The
Digital Image, 2003, Volume 3,
Number 3
A look at the most important features for photographers in
Photoshop CS. |
|
|
"Pixel-Safe
Workflow"
The
Digital Image, 2003, Volume 3,
Number 3
Techniques for working with your digital images without
damaging the original pixel values. |
|
|
"Getting
Selective"
Nature
Photographers
online magazine, August 2003
Creating advanced selections in
Photoshop. |
|
|
"Film
Versus Digital"
Apogee Photo online magazine,
August 2003
A look at the benefits and drawbacks of
digital capture. |
|
|
"Microsoft Digital
Image Pro"
Outdoor Photographer
magazine, August, 2003
A simple but strong contender in the image-processing arena. |
|
|
"Digital Projectors"
PC Photo
magazine, July/August 2003
Put on a great show with these high-tech, carousel-free and
increasingly affordable digital projectors. |
|
|
"Short Report:
Matrox Parhelia"
PC Photo
magazine, July/August 2003
Review of this multiple-monitor capable display adapter. |
|
|
"Make Mine RAW"
Outdoor Photographer
magazine, July, 2003
This data-rich file format promises the ultimate in image
quality. |
|
|
"Focal
Length Multiplier"
Nature
Photographers
online magazine, July 2003
A look at this very controversial issue
related to digital capture. Is it cropping or magnifying? |
|
|
"RAW Capture
Benefits"
The
Digital Image, 2003, Volume 3,
Number 2
Learn about the benefits of RAW capture, including the best
methods for working with the RAW files and converting them to
image files. |
|
|
"High-Bit Tricks"
The
Digital Image, 2003, Volume 3,
Number 2
Working with RAW captures currently involves compromises,
but this article will show you how to perform many tasks with
high-bit files that you didn't think were possible. |
|
|
"Recover Lost
Images"
The
Digital Image, 2003, Volume 3,
Number 2
Losing images from your digital media cards can be a
nightmare. This article shows you how to avoid losing them,
and how to recover them when they are lost. |
|
|
"TDK Indi DVD
Burner"
PC Photo
magazine, June 2003
Take advantage of the massive storage capacity of DVDs with
some new hardware. |
|
|
"Rez Me Up,
Scotty!"
Outdoor Photographer
magazine, June, 2003
A look at the issues involved in increasing the size of your
digital images through interpolation, including a look at the
various techniques for doing so. |
|
|
"The
Power of Saturation"
Nature
Photographers
online magazine, June 2003
Learn the power hidden in the
Hue/Saturation dialog box in Photoshop, and how you can use it
to make controlled changes to the colors in your images. |
|
|
"Safe
Cloning"
Nature
Photographers
online magazine, May 2003
A tutorial for using the safest method to
use the Clone Stamp tool in Photoshop without changing the
underlying pixels in the image. |
|
|
"Photoshop
Shortcuts"
Nature
Photographers
online magazine, April 2003
A guide to some of the best shortcuts in
Photoshop to save you time and effort when working with your
digital images. |
|
|
"Quick Guide to
Color Management"
PC Photo
magazine, March/April 2003
A guide to the basics of color management for photographers,
providing info to get them started on basic color management. |
|
|
"Get Better Color"
by Peter K. Burian
MSN
Photos, March 2003
Article by Peter K. Burian includes quotes by Tim Grey. |
|
|
"Image Sharpening"
The
Digital Image, 2003, Volume 3,
Number 1
A guide to what the settings are and how to use them in
Photoshop's Unsharp Mask filter, along with a variety of other
methods for sharpening your digital images. |
|
|
"Digital Sensor
Cleaning"
The
Digital Image, 2003, Volume 3,
Number 1
A look at how to avoid getting dust inside your digital
camera, and how to clean the sensor when dust does get inside. |
|
|
"Color
Management Basics"
Nature
Photographers
online magazine, March 2003
An introduction to the use of color
management to obtain accurate prints. |
|
|
"Curves
Primer"
Nature
Photographers
online magazine, February 2003
An introduction to using the Curves
control in Photoshop to adjust your images. |
|
|
"Digital Darkroom
Questions excerpt"
The Lens and Eye, North Bethesda
Camera Club newsletter, February 2003
Except from Digital
Darkroom Questions e-mail with question related to Epson
printers. |
|
|
"Film
Versus Digital"
Nature
Photographers
online magazine, January 2003
A look at the benefits and drawbacks of
digital capture. |
|
|
"Time for an LCD
Monitor?"
The
Digital Image, 2002, Volume 2, Number
4
Many photographers are making the move to LCD displays to
replace their CRT monitors. This article reviews the
differences between the two monitor types, including the
relative benefits of each. |
|
|
"Multiple Monitors"
The
Digital Image, 2002, Volume 2, Number
4
Learn to upgrade your system to support two monitors and
make the most of the extra working space. |
|
|
"Digital Multiple
Exposure"
The
Digital Image, 2002, Volume 2, Number
4
Learn to simulate the effects of multiple exposure using
digital capture. |
|
|
"OptiPix" (co-authored with George D.
Lepp)
Outdoor Photographer magazine, December 2002
Software to help you with high-contrast images. |
|
|
"Let There Be
Light"
PC Photo magazine, December 2002
Discover how using flash on a sunny day can improve your
photographs, with techniques for the use of flash with
digital cameras. |
|
|
"Tonal
Adjustments"
Nature
Photographers
online magazine, December 2002
Methods for making the best tonal
adjustments to your images. |
|
|
"Mass Storage"
PC Photo magazine, November 2002
Solutions for archival storage of digital images. |
|
|
"Film Scanners" (co-authored with George D. Lepp)
PC Photo magazine, November 2002
Getting the most from your 35mm negatives or slides with a
desktop film scanner. |
|
|
"Interchangeable-Lens
Digital SLRs" (co-authored with George D. Lepp)
PC Photo magazine, November 2002
A roundup of the latest high-end digital cameras. |
|
|
"A
Workflow for the Digital Darkroom"
Nature
Photographers
online magazine, November 2002
Recommendations on basic workflow for editing photos in
the digital darkroom. |
|
|
"Get Better Color"
by Peter K. Burian
MSN
Photos, November 2002
Article by Peter K. Burian includes quotes by Tim Grey. |
|
|
"Using Your
Histogram"
PC Photo magazine, October 2002
An explanation of using the histogram feature in scanning
software to make the very best scans possible. |
|
|
"Understanding
Resolution"
Nature
Photographers
online magazine, October 2002
An explanation of resolution as it relates to digital
images at all stages of the digital workflow. |
|
|
"Digital
Q & A: Answers to Your Questions"
Photo
Migrations online magazine, October 2002
Tim Grey answers questions in the format of the Digital
Darkroom Questions e-mail list. |
|
|
"Safekeeping your
Keepsakes" by Peter K. Burian
MSN
Photos, October 2002
Article by Peter K. Burian includes quotes by Tim Grey. |
|
|
"Digital SLR
Cameras"
The
Digital Image, 2002, Volume 2, Number 3
A look at the latest digital SLR cameras from Canon, Nikon,
and Fuji. |
|
|
"Latest Inkjet
Printers"
The
Digital Image, 2002, Volume 2, Number 3
A roundup of the latest photo-quality inkjet printers that
provide solutions for photographers who want to produce
their own prints. |
|
|
"Critical
Mass"
The
Digital Image, 2002, Volume 2, Number 3
A discussion of the current state of digital imaging, with a
discussion of the specifications needed for digital cameras
and photo inkjet printers to replace traditional methods of
producing photographic images. |
|
|
"Printer Preview -
Epson Stylus Photo 2200" by Peter K. Burian
MegaPixel.net,
September 2002
Article by Peter K. Burian includes quotes by Tim Grey. |
|
|
"How
Much Computer is Enough?"
LeppPhoto.com,
August 15, 2002
In this often-updated article, specifications are provided
for the best computer system at various levels of digital
imaging experience, and at various budgets. |
|
|
"Are You Ready For
a Digital Projector?" (co-authored with George D. Lepp)
PC Photo magazine, August 2002
A review of the latest in digital projectors, with a
discussion of whether it is time to make the move to a
digital projector. |
|
|
"Composite
Panoramas Step-By-Step" (co-authored with George D.
Lepp)
Outdoor Photographer magazine, July 2002
A review of procedures for assembling composite panoramic
images, based on the article that appeared in The
Digital Image, 2002, Volume 2, Number 1. |
|
|
"Making Inkjet
Prints" (co-authored with George D. Lepp)
Outdoor
Photographer magazine, July 2002
A discussion of the best techniques for getting great prints
from photo inkjet printers. |
|
|
"Some Qs and As on
Digital Imaging"
PSA Electronic Imaging Division newsletter, Summer 2002,
Issue No. 7
An article revolving around several questions from previous
Digital Darkroom Questions (DDQ) e-mails. |
|
|
"Best 4 Out of
(Photoshop) 7"
The
Digital Image, 2002, Volume 2, Number 2
A review of Photoshop 7.0, including details on the four
best new features for photographers. |
|
|
"Getting the Most
from your Scanner" (co-authored with George D. Lepp)
PC Photo magazine, June 2002
Tips and techniques for getting the best scans from your
slides and negatives using a desktop film scanner. |
|
|
"Staying
Neutral"
The
Digital Image, 2002, Volume 2, Number 2
A review of Photoshop 7.0, including details on the four
best new features for photographers. |
|
|
"Choosing a Photo
Printer" by Peter K. Burian
MSN
Photos, June 2002
Article by Peter K. Burian includes quotes by Tim Grey. |
|
|
"Get Great Prints
From Digital Images" by Peter K. Burian
MSN
Photos, June 2002
Article by Peter K. Burian includes quotes by Tim Grey. |
|
|
"Printing
with Profile in Photoshop 7.0"
LeppPhoto.com,
May 16, 2002
Photoshop 7.0 changed the way an image is printed using a
printer profile. This article explains the proper procedure
using the latest version of Photoshop. |
|
|
"Infrared
in Photoshop"
LeppPhoto.com,
May 7, 2002
Learn to turn your color images into black & white
images that simulate the effects of an infrared
capture. |
|
|
"Sending
Images via E-mail"
LeppPhoto.com,
April 19, 2002
Tips for sending images via e-mail so they will be sized
properly when received. |
|
|
"Scanning at the
Next Level" (co-authored with George D. Lepp)
PC Photo magazine, April 2002
Advanced guide to getting the best scans from your film
scanner. |
|
|
"Recover
Lost Images with PhotoRescue"
LeppPhoto.com,
April 5, 2002
Review of PhotoRescue software that can be used to recover
corrupted or deleted images from your digital film. |
|
|
"Composite
Panoramas" (co-authored with George Lepp)
The
Digital Image, 2002, Volume 2, Number 1
Provides details on assembling composite panoramic images in
Photoshop, including advanced techniques for sophisticated
adjustments. |
|
|
"Future of
Film"
The
Digital Image, 2002, Volume 2, Number 1
A discussion of the future of film in light of the latest
advancements in digital capture. |
|
|
"CD-R Storage"
ASMP Bulletin magazine, December 2001
Best solution for storing archival digital image files. This
is a partial reprint of an article that appeared in the
2001, Volume 1, Number 3 issue of The
Digital Image. |
|
|
"Digital Wish
List"
The
Digital Image, 2001, Volume 1, Number 4
Recommendations on the very best tools for the digital
darkroom. |
|
|
"Organizing
Digital Images"
The
Digital Image, 2001, Volume 1, Number 4
Review of options for keeping track of your digital
photographic images, including software for organizing and
locating images. |
|
|
"Extensis
PhotoFrame"
The
Digital Image, 2001, Volume 1, Number 4
A review of this simple but powerful Photoshop plug-in for
creating artistic edges on your images. |
|
|
"Epson Stylus Pro
10000"
The
Digital Image, 2001, Volume 1, Number 4
A review of Epson's latest wide-format photo inkjet printer,
providing photographers with a high-speed print engine
capable of producing large prints with pigmented-inks. |
|
|
"Archiving Images"
ASMP Bulletin magazine, November 2001
How to use CD-Recordable drives. This is a partial reprint
of an article that appeared in the 2001, Volume 1, Number 3
issue of The
Digital Image. |
|
|
"Film Scanners"
(co-authored with George D. Lepp)
PC Photo magazine, November 2001
Buyer's guide for desktop film scanners. |
|
|
"Suitable for
Framing" (co-authored with George D. Lepp)
PC Photo magazine, October 2001
Tips for producing the best photo inkjet prints for hanging
on the wall. |
|
|
"Why
You Should Not Use CD-RW Media"
LeppPhoto.com,
September 13, 2001
A look at the reliability concerns of CD-RW media, with
discussion on why they should not be used for archival
storage of digital images, and what the best alternatives
are. |
|
|
"Archiving Images
to CD-R"
The
Digital Image, 2001, Volume 1, Number 3
A discussion of the issues involved in archiving digital
image files to CD-R media, including a discussion of the
best media, software, and techniques. |
|
|
"Nikon's New Film
Scanners"
The
Digital Image, 2001, Volume 1, Number 3
A review of the latest trio of desktop film scanners from
Nikon. |
|
|
"Inkjet Print
Media"
The
Digital Image, 2001, Volume 1, Number 3
A roundup of some favorite media for printing your
photographic images. |
|
|
"Protecting
Digital Files"
The
Digital Image, 2001, Volume 1, Number 3
A discussion of the risks involved in sharing your digital
photographic images, and how to best protect those images
from unauthorized use. |
|
|
"Film Scanner
Guide" (co-authored with George D. Lepp)
Outdoor Photographer magazine, June 2001
Tips and techniques for getting the best scans from your
slides and negatives using a desktop film scanner. |
|
|
"Digital
Projectors" (co-authored with George D. Lepp)
PC Photo magazine, May/June 2001
A look at the important features to consider when buying a
digital projector. |
|
|
"Digital SLR
Cameras"
The
Digital Image, 2001, Volume 1, Number 2
Review of the latest digital SLR cameras from Canon, Nikon,
and Fuji. |
|
|
"Color Management
for Photographers"
The
Digital Image, 2001, Volume 1, Number 2
A discussion of basic color management for photographers. |
|
|
"Kodak RFS 3600
Film Scanner"
The
Digital Image, 2001, Volume 1, Number 2
Review of this 3500 dpi desktop film scanner from Kodak. |
|
|
"Digital Imaging
Tools"
The
Digital Image, 2001, Volume 1, Number 2
A roundup of some favorite tools to make your work with
digital imaging easier. |
|
|
"Affordable
High-Quality Film Scanning" (co-authored with George D.
Lepp)
PC Photo magazine, February 2001
A review of Kodak's new RFS 3600 film scanner. |
|
|
"Resolution
Explained"
The
Digital Image, 2001, Volume 1, Number 1
An in-depth explanation of resolution as it relates to
digital images in each stage of the digital workflow, from
capture to scan, editing, and the final print. |
|
|
"Epson Inkjet
Printers"
The
Digital Image, 2001, Volume 1, Number 1
A look at Epson's latest photo inkjet printers. |
|
|
"Digital Camera
Media"
The
Digital Image, 2001, Volume 1, Number 1
A look at the various types of storage media for digital
cameras, including recommendations on the best options.
|
|
|
"Nikon Super
CoolScan 2000 versus Polaroid SprintScan 4000"
The
Digital Image, 2001, Volume 1, Number 1
A comparison of these two desktop film scanners including
tests of scan quality, feature comparison, and an analysis
of which provides the best solution for photographers.
|
|
|
"Truly Archival
Prints" (co-authored with George D. Lepp)
Outdoor Photographer magazine, November 2000
A look at Epson's Stylus Photo 2000P photo inkjet printer
for producing archival prints with pigmented inks. |
|
|
"Buying a 35mm
Film Scanner" (co-authored with George D. Lepp)
PC Photo magazine, November 2000
Buyer's guide for 35mm film scanners. |
|
|
"High-End 35mm
Film Scanners" (co-authored with George D. Lepp)
PC Photo magazine, July/August 2000
A review of the latest desktop film scanners with a
discussion of the key features to consider when deciding
which scanner to buy. |
|
|
"Windows
or Macintosh?"
LeppPhoto.com, April
26, 2000
A look at the choice of using a Windows or Macintosh
platform for digital imaging, with commonsense advice from a
neutral perspective. |
|
|
"2 Monitors, 1
Computer" (co-authored with George D. Lepp)
PC Photo magazine, April 2000
Discussion of benefits, best options, and how-to for using
two monitors to expand your virtual desktop and make your
digital workflow more efficient. |
